Considering I study film and everything surrounding it, you would think that I would have more blog posts dedicated to the topic; though there are a handful on the site already. Up until I decided to start pursuing the subject as a degree full time, I always saw films as time-fillers. I know, I can sense film fans and students alike cringing at that statement. But it’s true, I’m afraid!
When I think back on my experience with films, I remember those awkward pre-adolescent sleepovers where we’d stock up on all kinds of junk food, wearing the craziest clothes just to sit in your best friends bedroom or lounge, where everyone would gather round the television to watch Mean girls, Wild Child, Bridesmaids, Juno…or something of the sort. As I write this, I suddenly realised that a lot of these “girly” films that we’d watch have very similar themes. ANYWAY, besides the point.
What I’m saying about this list is that it has not come from a critical point of view, by all means necessary you don’t HAVE to agree with whatever I put on this list. Most of my considerations are personal, for example, I could have grown up watching it, or it could have been the first film to really make me feel something, or it could have even been the first film to make me really appreciate the art of cinematography aesthetics. Etc.
Most of these reviews initially appeared on my contribution to Outtake Magazine’s 100 Top Films pf the 10’s, but I thought I’d condense them down to just a few of my decade-defining films that I consider to be significant. So without further ado, (within no particular order) here they are!
As far as 3D-animated Spanish fantasy films go, there aren’t many of them. However, if this was a common genre, Coco would still make it to the top three. In more areas than one, Pixar seriously stepped up their game with this one; this is more than a story of a boy chasing his dreams. There’s something more refreshing about this film besides the typical Disney tropes used within Coco with it’s engaging, vibrant and neon-lit boroughs that creates an overall spectacular motion picture. I’m not usually an animation fan, but this film certainly made me more open to them.
Christopher Nolan is consistently known for his thrilling and complex concepts that can just about send anyone into a state of mental vertigo. Inception in particular, is the pinnacle of all of this- this fantasy thriller shares a mixture of his iconic action scenes of Batman- The Dark Knight and the layered examination of The Prestige. Christopher Nolan actively weaves a mysterious dreamworld with a dream cast, with a plot so complex that it leaves the spectators contemplating the films reality as well as their own for weeks. Just watch it. Lord knows I have, too many times. Shoutout to my big brother.
The Grand Budapest Hotel (2014)
Liberated filmmaker, artistic visionaire, colour-coding genius, symmetrical mastermind…you get the gist. These are just some of the many descriptions that come to mind when you think of Wes Anderson and are very much justified. Amongst this, you’ll find that his filmography follows suit- if you don’t know where to start in the catalogue, watch The Grand Budapest Hotel. From Bill Murray to Tilda Swinton, cast members are near unrecognisable once they’re stepped into Anderson’s vision. It’s not just all aesthetic, though part of its appeal, there’s an exciting cat-and-mouse chase, a deadpan but humorous script and an engaging story line. Check-in to The Grand Budapest Hotel!
Get Out (2017)
2017 detected a real shift in the horror landscape, Jordan Peele being the instigator to this. Earlier this year, Jordan Peele said that he’s seen enough White-led horror movies. This was met with plenty of criticism (as expected) but he had a point and he made it masterfully. As a comedy king, he was one of the least likely to come out with such a multi-layered and clever horror masterpiece. Yet, he did. As well as being a horror, Get Out exposes a far more stealthy motive behind the eerie characters and the United States as a whole; hyperbolic or not, Get Out does a wonderful job at exposing the racist underbelly within the third world and every ethnic minority’s unspoken worst nightmare.
Shoplifters is a devastatingly beautiful film, a cinematic embodiment of the phrase “The Rose That Grew from Concrete”. Living in the poverty invested fringes of a Japanese city, Shoplifters is a fine blend of a family comedy and a crime thriller, exposing a harsh reality that isn’t always tragic despite it’s circumstances, exhibiting intimacy and tenderness in a dog-eat-dog world. Writer-director Hirokazu Koreeda exposes subtle compassion in each line and frame,yet never creates one dim moment as it rightfully earn it’s 99% approval rating.
As soon as A24 (every film they do is a masterpiece to be frank) dropped its intense yet beautiful trailer for Moonlight four years ago, viewers and spectators alike were instantly engulfed in all things Black and Chiron. Winning best kiss at the MTV Movie Awards, it becomes evident as to why. Based on the semi-autobiographical novel In Moonlight Black Boys Look Blue by Tarell Alvin McCraney, this stunning picture is an emotionally devastating quagmire as it intersects the unlikely subjects of black masculinity, homosexual relationships and vulnerability. Barry Jenkins’s direction allows room for the entire cast to embody their roles and interact in a way that is brutally real. Illuminating, heartbreaking and everything in between- a must see.